I was extremely excited to get in there and get going - after all I have had these prints lying about since May!
Here are some step by step pics of the process...
Firstly I mixed some black ink (I've used water-soluble block printing ink) with a little bit of retarder to slow the ink drying time. I have used a heavy duty roller (brayer) to spread the ink out onto a glass surface. When it has a distinct peeling sound it means the ink is ready. I then began rolling the ink onto the linoleum square.
Once the ink was evenly applied onto the lino sqaure, I carefully placed it facing up onto a backing sheet on the press bed. The backing sheet is measured out exactly to indicate placement of the lino - it is the same size as the printmaking paper.
After placing down a sheet of printmaking paper, I gently lowered the felt blankets on the paper and lino square. This keep the plate and paper in place, and stops the printing press from ripping the paper. I tested the height of the press prior, by rolling an uninked lino through the press and adjusted the height accrodingly - checking the pressure each time.
Rolling, rolling, rolling - once the blankets are down and the pressure is set, its time to grab a hold of the wheel and turn it clockwise until the press bed rolls underneath the press all the way through to the end. It should feel quite tight, and is great for building up those upper arm muscles!
Once the press bed was on the other side, I lifted the blankets and gently peeled the paper off the lino square - a perfect image was imprinted. Ahhh, my gorgeous yukka print is drying patiently on the rack!
I'll be back in the studio again this Friday, finishing off the prints and some colour variations I'm working on(fun!). I can't wait to have these ready for the Drift coming up extremely soon!
